Classical Kuiper belt objects are also called 'cubewanos' (pronunciation of Q-B-1), the name of this category derived from the provisional name of the first classical Kuiper belt object discovered: (15760) 1992 QB1.
According
to dynamical systems theory, classical Kuiper belt objects are limit
cycle attractors, because they evolve to a periodic state on the long
run. The action keeps repeating in each cycle, increasing the number of
elements and its complexity (like in the myth of Quaoar), but without
modifying the initial scheme, like the repetitive sound "PA-O-PA ... TUN-TUN!!" of the song "Nostromo" (Zerotonine, 2002).
"Nostromo" (Zerotonine, 2002)
The
Kuiper belt has a range from 31 AU to 49 AU. Classical Kuiper belt
objects (cubewanos) are free from resonance with Neptune; those who have
the perihelion around 40 AU and the aphelion around 45 AU are related
with computing and artificial intelligence, wich is based in the binary
code (1-0; true-false; yes-no;...).
"Star Trek" (2009)
The
distance of 40 AU is related to automatic processes, were some action
keeps going or starts by an authorized request, while the distance of
45 AU is related to selective processes, were some action stops or a
request is denied.
"In 1932, the astronomer Ernst Öpik postulated that long-period comets originated in an orbiting cloud at the outermost edge of the Solar System. In 1950, the idea was independently revived by the astronomer Jan Hendrik Oort as a means to resolve a paradox: over the course of the Solar System's existence, the orbits of comets are unstable; eventually, dynamics dictate that a comet must either collide with the Sun or a planet, or else be ejected from the Solar System by planetary perturbations. Moreover, their volatile composition means that as they repeatedly approach the Sun, radiation gradually boils the volatiles off until the comet splits or develops an insulating crust that prevents further outgassing. Thus, reasoned Oort, a comet could not have formed on its current orbit, and must have been held in an outer reservoir for almost all of its existence." (Wikipedia)
Walt Disney had a strong connection with the Oort cloud: Mickie Mouse was created in 1928 and Disneyland park was opened in California in 1955.
The main "inner Oort cloud" model was proposed in 1981 by astronomer J.G. Hills. Sedna is the most important inner Oort cloud object (discovered in 2003), while (148209) 2000 CR105 and (87269) 2000 OO67 where the first to be discovered.
The main quality of the inner Oort cloud objects is emotions and spiritual feelings that are coherent with the will and values of the Soul (Higher Self), like Tais (the girl with psychic powers) in the TV cartoons "Ulisses 31" (1980).
I like the symbolism of the Artic Ocean (Sedna), but also the essence of flowers or paradise beaches.
"Flower" (PS3, 2009)
Music with IOCO cuality:
Instrumental:
"Infinity" (Guru Josh)
"Played-a-live" (Safri Duo).
Vocal:
"Desvío al paraíso" (Andermay)
"Azul" (Cristian Castro)
"Dream to me" (Dario G)
Vocal (singing in whisper with high tone):
"Walking on Clouds" (DJ Tiesto), "Just Be" (DJ Tiesto), "Paul Oakenfold - Delerium - The Silence 2000 (DJ Tiesto remix)", "Ya Soshla S Uma" (Tatu), and "Nas ne dogonjat" (Tatu).
In the Thirties, during the hypothetization of the existence of the Oort cloud, appeared the musical style Blues ("Long How Long Blues", Jed Davenport). In the fifties, when the second hypothetization of the Oort cloud was overstriked with the hypothetization of the Kuiper belt, this combination resulted in the musical sytle Rock & Roll ("Roll Over Beethoven" Chuck Berry), were the vocal melody (IOCO) was boosted with a strong rhythm basis (KBO).
