Twotinos, a powerful separation of a duality

Twotinos are 1:2 resonant scattered or Kuiper belt objects. The first towtino to be discovered was (20161) 1996 TR66.

Jessica Alba says about her role in the movie "Awake" (2007): "I play somebody who has two completely different sides to them selves. And she is badeling with the dimons of being extremely one person and extremly another and if this two people are connected to each other at all. Is a little bit like Mr Jeckill and Mr Hide."

While Centaurs have a perfect integration of two qualities and can express them at the same time, twotinos have a powerful separation of a duality (like the yin-yang symbol) and only can be expressed in sequence, but not at the same time. That means that twotinos have the ability to hide a subpersonality or life style like double agents. An example in Greek mythology can be the Trojan Horse, or Odysseus (Ulysses) infiltration in its own house after the Troja War.


Interesting movies about twotinos: 

Prediscovery image of 1998 SM165 back to October of 1982:
"Dark Crystal" (1982), "E.T." (1982), James Cameron 'Terminator' concept (1982)

1996 TR66 (October):
"Primal Fear" (1996), "Mission: Impossible" (1996), "Case Closed" (1994, 1996).

1998 SM165 (September):
"Mulan" (Disney, 1998), "You've Got Mail" (1998), "The prince of Egypt" (1998)

2000 AF255 (January);
2000 QL251 (August):
"The Contender" (2000), "Family Man" (2000), "What Lies Beneath" (2000), "Sliding Doors" (1997), "Coyote Ugly" (2000)

2001 UP18 (October); 
Moon of 1998 SM165 discovered in December of 2001; 
prediscovery image of 2002 WC19 and 2005 CA79 back to 2001:
"K-Pax" (2001), "Fast & Furious" (2001), "Spy Game" (2001), "Miss Congeniality" (2000)

2002 WC19 (November):
"Lord of the Rings: The Two Towers" (2002), "The Rain Children" (2003)

2004 TV357 (October):
"Taking lives" (2004), "The Incredibles" (2004)

2005 CA79 (February):
"The Island" (2005), "The Interpreter" (2005)

Moon of 2000 QL251 discovered in July of 2006; 
Moon of 2002 WC19 discovered in November of 2006:
 "The Departed" (2006), "Déjà Vu" (2006), "H2O, Just Add Water" (Season 1, 2006), "The Lake House" (2006); "Hannan Montana - Pop Star" (2006)
 
Moon of 2002 WC19 reported in February of 2007:
"H2O, Just Add Water" (Season 2, 2007)

2008 SO266 (September):
"Twilight" (2008), "Handcook" (2008), "Hulk" (2008), "Iron Man" (2008), "Street Kings" (2008), "Coraline" (2009), "The Duchess" (2008), "Awake" (2007) 


Range of twotinos:

Scattered disc objects with low aphelion and Neptune at the perihelion:  

• 1996 TR66 (28.7 - 66.9 AU)
• 1998 SM165 (29.9 - 65.2 AU)

Scattered disc objects with low aphelion and 35 AU at the perihelion: 

• 2004 TV357 (34.5 - 61.6 AU) 
• 2002 WC19 (35.2 - 60.1 AU) 

Scattered disc objects with low aphelion:  

• 2000 AF255 (36.6 - 60.7 AU)
• 2000 QL251 (37.5 - 58.7 AU)
• 2005 CA79 (37.1 - 58.7 AU)

Kuiper belt objects with 50 AU at the aphelion:  

• 2001 UP18 (44.6 - 51.4 AU)

Kuiper belt objects with Neptune at the perihelion:

• 2008 SO266 (30.0 - 49.3 AU)

Social intelligence and 'high artificial intelligence' combination

In a game of chess there is a board with 8x8 and 16x2 pieces, low artificial intelligence is needed to play this game. But when we take in consideration all countries in the real word, with so many people, we need what I call 'high artificial intelligence'. That quality is typical of all the classical Kuiper belt object.

When this 'high artificial intelligence' is applied to emotions and human relations, like in the whole "Troya war" events or "the affair of the necklace", we have to look at the scattered disc objects that have the perihelion in the core of the Kuiper belt, where Eris belongs.

There is a good example of Eris SDO's quality in the movie "Sinbad - The Legend of the Seven Seas" (Dream Works, 2003):

SINBAD: "Well, I see you're busy, so listen, we'll just take the Book of Peace and get out of your way."

ERIS: "(Chuckles) What makes you think I have it?"

SINBAD: "Uh, well, you framed for the theft, so they whould execute me."

ERIS: "You?"

SINBAD: "Yeah."

ERIS: "?"

SINBAD: "No. Proteus! You knew he would take my place."

ERIS: "(Chuckles) What a clever little man you are."

SINBAD: "You thought I'd run. Then Proteus would die, and Syracuse would be..."

ERIS: "Left without the next rightful king, and tumble into glorious chaos. You humans are so predictable. Proteus couln't help being ever so noble, and you couldn't help betraying him."

New planets are calling for new words to describe them.

Flowers of the inner Oort cloud

"In 1932, the astronomer Ernst Öpik postulated that long-period comets originated in an orbiting cloud at the outermost edge of the Solar System. In 1950, the idea was independently revived by the astronomer Jan Hendrik Oort as a means to resolve a paradox: over the course of the Solar System's existence, the orbits of comets are unstable; eventually, dynamics dictate that a comet must either collide with the Sun or a planet, or else be ejected from the Solar System by planetary perturbations. Moreover, their volatile composition means that as they repeatedly approach the Sun, radiation gradually boils the volatiles off until the comet splits or develops an insulating crust that prevents further outgassing. Thus, reasoned Oort, a comet could not have formed on its current orbit, and must have been held in an outer reservoir for almost all of its existence." (Wikipedia)

Walt Disney had a strong connection with the Oort cloud: Mickie Mouse was created in 1928 and Disneyland park was opened in California in 1955.

The main "inner Oort cloud" model was proposed in 1981 by astronomer J.G. Hills. Sedna is the most important inner Oort cloud object (discovered in 2003), while (148209) 2000 CR105 and (87269) 2000 OO67 where the first to be discovered.

The main quality of the inner Oort cloud objects is emotions and spiritual feelings that are coherent with the will and values of the Soul (Higher Self), like Tais (the girl with psychic powers) in the TV cartoons "Ulisses 31" (1980).

I like the symbolism of the Artic Ocean (Sedna), but also the essence of flowers or paradise beaches.

"Flower" (PS3, 2009)

Music with IOCO cuality:

Instrumental:
"Infinity" (Guru Josh)
"Played-a-live" (Safri Duo).

Vocal:
"Desvío al paraíso" (Andermay)
"Azul" (Cristian Castro)
"Dream to me" (Dario G)

Vocal (singing in whisper with high tone):
"Walking on Clouds" (DJ Tiesto), "Just Be" (DJ Tiesto), "Paul Oakenfold - Delerium - The Silence 2000 (DJ Tiesto remix)", "Ya Soshla S Uma" (Tatu), and "Nas ne dogonjat" (Tatu).

In the Thirties, during the hypothetization of the existence of the Oort cloud, appeared the musical style Blues ("Long How Long Blues", Jed Davenport). In the fifties, when the second hypothetization of the Oort cloud was overstriked with the hypothetization of the Kuiper belt, this combination resulted in the musical sytle Rock & Roll ("Roll Over Beethoven" Chuck Berry), were the vocal melody (IOCO) was boosted with a strong rhythm basis (KBO). 

Naming of twotinos (1:2 resonance with Neptune)

Pluto, Chiron, Varuna, Sedna and Eris: they are the first names in its own category (plutino, centaur, classical Kuiper belt object, inner Oort cloud object and scattered disk object). 

Which will be the first name to be assigned to a twotino (1:2 resonance with Neptune)?

Introduction to the meaning of numbers

The quality of the number one is related with unit and whole, but without consciousness about it self. There is a high potential and the start opportunity for realization (Karen Hamaker-Zondag). It is the begining. Something new has started. A seed has been planted. There is potential growth in new directions (Gail Fairfield)

The quality of the number two is related with polarity. Also can mean conflict and generate doubt. The number two is not self-sufficient and searches for a solution. (Karen Hamaker-Zondag). In the number two there is a clear division or separation. Can block or negate something in order to reinforce, claim and strengthen the opposite option (Gail Fairfield).

The quality of number three is related with what is in process of formation, a force in motion; decisions have been taken, but the aim has not been reached (Karen Hamaker-Zondag). Number three is the level of clarifying, getting better, and expression. Is the level of planning. Here, at the beginning, details are bear in mind in order to prepare the plans for action (Gail Fairfield).

The quality of the number four is related with whole in the process of formation and the limitations of reality (Karen Hamaker-Zondag). With the number four, a plan or project turns into reality. There is a sensation of solidity, something is firmly established in a invarible way (Gail Fairfield).

The quality of number five is related with getting high in life and has a revolutionary quality that takes into new dimensions of life (Karen Hamaker-Zondag). What seemed stablish, is now suffering a reaction and being affected. It has to adapt, change or sit down in other way (Gail Fairfield).

During a brief period of time, the quality of the number six reunite elements or circumstances in a harmonious way in a symmetrical influence of great beauty (Edgar Cayce); which falls and recreates in a cyclicaly, adapting with great agility to circumstances (Karen Hamaker-Zondag; Gail Fairfield).

Seven is the number of spirituality and esoteric performance (Edgar Cayce). Number seven is related to a personality trait or a behaviour that produces a reaction in the outside, but maybe the individual has not absorbed yet the consequences of what he is doing. Represents, not only the sin, but also the preparation for expiation and redemption (Karen Hamaker-Zondag). The septile aspect has a karmic quality: it works unconsciously from hidden motivations or invisible forces that push to act or react (Gail Fairfield).

The number eight indicates the commercial exchange (Edgar Cayce). The semisquare aspect in astrology in related with stress and alert states just before an action begins, like when the runners are at the start line, waiting to hear the shot. On the other hand, the sesquisquare aspect is also related with stress and alert states, but while an actions is going on, like when a traffic light is about to turn red (Tito Macià).

The number nine is related with the integration of the high and the low. Represents the cycles of fall and the difficult climb that follows. It is connected to a movement that is chased after with great energy in some direction, but without an aim (Karen Hamaker-Zondag). In the number nine there is an integration in the forward movement. There is a situation that does not need much demands to keep in forward movement. Because everything is flexible and in order, there is a flow in a forecast direction (Gail Fairfield). The number nine is making for that termination in the forces in natural order of things that come as a change inminent in the life (Edgar Cayce).

The number ten has a non-linear quality (Edgar Cayce), so that apparently insignificant events acquire a decisive influence, while others apparently of great magnitude pass entirely unnoticed (butterfly effect). All depends on whether its quality matches the nature of the bifurcation point (Gail Fairfield).

The quality of number eleven (!) is related with organization of elements to establish an order of priorities (Gail Fairfield). It indicates that a certain area of life is experienced in a unidirectional way, proceeding with intensity and concentration, according to the previously established plan (Gail Fairfield).

The quality of the number twelve is related with maturity, sophistication and internal complexity that allows you to react to the environment with greater awareness, sensitivity, adaptation and self-control (Gail Fairfield; Edgar Cayce; Bruno and Louise Huber).

Aspects of the 5th harmonic (quintile and biquintile), creativity and cultural innovation

Aspects of the 5th harmonic represent creativity and cultural innovation. Like the semisextile and the quincunx, aspects of the 5th harmonic are also green aspects, so that --without directly being noticed-- the cultural internalization occurs in a self-organized way, in which motivation, attention and consciousness takes an important role, so that the internal flexibility becomes gradually increased over a very long period (months or years), until a culminant point is reached, in which a great, very fast (hours or a few days) and obvious self-organization of the internalized elements takes place through flow experiences of great emotional intensity, in which specific aspects of very diferent cultural fields are interconnected, as for example psychology and astrology, economics and mathematics, computer science and art, etc...

The cultural talent of aspects of the 5th harmonic is lower than that of the golden aspects. In exchange, the aspects of the 5th harmonic have greater flexibility and can easily take out of context cultural elements and operate with them in an abstract mode, and then put them back in an integrated manner. In addition, they include a greater dynamism turn into curiosity and cultural interest.

"The Lost World (Jurassic Park 2)" (1997)

From the 5th harmonic arise two astrological aspects: the quintile@72º, related with the integration of different cultural fields; and the (bi)quintile@144°, related with the division of a cultural field in two distinct areas.

From the 10th harmonic (5x2) arise two astrological aspects: the decile@36º and the (tri)decile@108°, related with the creation of new cultural fields, derived from the existing, after a bifurcation point. And from the 20th harmonic (5x4) arise three astrological aspects: the vigintile@18º, the (tri)vigintile@54º, (hepta)vigintile@126º and (nona)vigintile@162°, related with the minor network connections that act as a bridge between different areas of a cultural field, from which a new concept can be supported in that field.

Shiva, Hindu deity of the cosmic dance

Astrologers began to understand the aspects of the 5th harmonic at the end of the 70s, at the same time that in the natural sciences began to study fractal structures and develop the chaos theory (despite that conceptually had already begun to be formulated in mathematical terms at the end of the nineteenth century and during the first quarter of the twentieth century).

Robert Hand, in his book "Horoscope Symbols" (1981), confirmed the point of view of John Adey (1975), in which aspects of the 5th harmonic were related with intellectual function and the specifically human aspects, and associated aspects of the 5th harmonic to the transformation and cultural evolution through history of mankind. In addition, he highlighted its emotional quality.

The distinction between the lower psychological processes (common to animals and human beings) and higher (specific to human beings) has a long tradition in psychology. During the first quarter of the twentieth century, Vigotsky explained the development of the higher psychological processes as a result of the social interaction and the interiorization and decontextualization of physical and psychological tools (which were developed through collective interaction throughout history). For example, initially the language is a tool that lets you communicate with others, but subsequently it is internalized and facilitates the processes of thought. At the end of the 70s, the work of Vigotsky was translated from Russian into English, reaching great dissemination.

"In youth, Elisabeth Noelle-Neumann, dean of the public opinion research in Europe, made up imaginary populations: 'My favorite toy when I was a child were not dolls, but pieces of wood to build a town: trees, houses, fences, animals, and quite different houses, for example, a town hall. And I spent two or three days each time, with ten-twelve years old, imagining stories about the lives of the people of the town'”. (Csikszentmihalyi, 1996)

Mihalyi Csikszentmihalyi, in his book "Creativity: The Psychology of Discovery and Invention" (1996), summed up the conclusions reached after interviewing a wide sample of people who were culturally creative.