Thursday, 6 September 2007

Flowers of the inner Oort cloud

"In 1932, the astronomer Ernst Öpik postulated that long-period comets originated in an orbiting cloud at the outermost edge of the Solar System. In 1950, the idea was independently revived by the astronomer Jan Hendrik Oort as a means to resolve a paradox: over the course of the Solar System's existence, the orbits of comets are unstable; eventually, dynamics dictate that a comet must either collide with the Sun or a planet, or else be ejected from the Solar System by planetary perturbations. Moreover, their volatile composition means that as they repeatedly approach the Sun, radiation gradually boils the volatiles off until the comet splits or develops an insulating crust that prevents further outgassing. Thus, reasoned Oort, a comet could not have formed on its current orbit, and must have been held in an outer reservoir for almost all of its existence." (Wikipedia)

Walt Disney had a strong connection with the Oort cloud: Mickie Mouse was created in 1928 and Disneyland park was opened in California in 1955.

The main "inner Oort cloud" model was proposed in 1981 by astronomer J.G. Hills. Sedna is the most important inner Oort cloud object (discovered in 2003), while (148209) 2000 CR105 and (87269) 2000 OO67 where the first to be discovered.

The main quality of the inner Oort cloud objects is emotions and spiritual feelings that are coherent with the will and values of the Soul (Higher Self), like Tais (the girl with psychic powers) in the TV cartoons "Ulisses 31" (1980).

I like the symbolism of the Artic Ocean (Sedna), but also the essence of flowers or paradise beaches.

"Flower" (PS3, 2009)


Music with IOCO cuality:

Instrumental:
"Infinity" (Guru Josh)
"Played-a-live" (Safri Duo).

Vocal:
"Desvío al paraíso" (Andermay)
"Azul" (Cristian Castro)
"Dream to me" (Dario G)

Vocal (singing in whisper with high tone):
"Walking on Clouds" (DJ Tiesto), "Just Be" (DJ Tiesto), "Paul Oakenfold - Delerium - The Silence 2000 (DJ Tiesto remix)", "Ya Soshla S Uma" (Tatu), and "Nas ne dogonjat" (Tatu).

In the Thirties, during the hypothetization of the existence of the Oort cloud, appeared the musical style Blues ("Long How Long Blues", Jed Davenport). In the fifties, when the second hypothetization of the Oort cloud was overstriked with the hypothetization of the Kuiper belt, this combination resulted in the musical sytle Rock & Roll ("Roll Over Beethoven" Chuck Berry), were the vocal melody (IOCO) was boosted with a strong rhythm basis (KBO). 

Saturday, 11 August 2007

Naming of twotinos (1:2 resonance with Neptune)

Pluto, Chiron, Varuna, Sedna and Eris: they are the first names in its own category (plutino, centaur, classical Kuiper belt object, inner Oort cloud object and scattered disk object). 

Which will be the first name to be assigned to a twotino (1:2 resonance with Neptune)?

Friday, 27 August 2004

Introduction to the meaning of numbers

The quality of the number one is related with unit and whole, but without consciousness about it self. There is a high potential and the start opportunity for realization (Karen Hamaker-Zondag). It is the begining. Something new has started. A seed has been planted. There is potential growth in new directions (Gail Fairfield)

The quality of the number two is related with polarity. Also can mean conflict and generate doubt. The number two is not self-sufficient and searches for a solution. (Karen Hamaker-Zondag). In the number two there is a clear division or separation. Can block or negate something in order to reinforce, claim and strengthen the opposite option (Gail Fairfield).

The
quality of number three is related with what is in process of formation, a force in motion; decisions have been taken, but the aim has not been reached (Karen Hamaker-Zondag). Number three is the level of clarifying, getting better, and expression. Is the level of planning. Here, at the beginning, details are bear in mind in order to prepare the plans for action (Gail Fairfield).

The quality of the number four is related with whole in the process of formation and the limitations of reality (Karen Hamaker-Zondag). With the number four, a plan or project turns into reality. There is a sensation of solidity, something is firmly established in a invarible way (Gail Fairfield).

The quality of number five is related with getting high in life and has a revolutionary quality that takes into new dimensions of life (Karen Hamaker-Zondag). What seemed stablish, is now suffering a reaction and being affected. It has to adapt, change or sit down in other way (Gail Fairfield).


During a brief period of time, the quality of the number six reunite elements or circumstances in a harmonious way in a symmetrical influence of great beauty (Edgar Cayce); which falls and recreates in a cyclicaly, adapting with great agility to circumstances (Karen Hamaker-Zondag; Gail Fairfield).

Seven is the number of spirituality and esoteric performance (Edgar Cayce). Number seven is related to a personality trait or a behaviour that produces a reaction in the outside, but maybe the individual has not absorbed yet the consequences of what he is doing. Represents, not only the sin, but also the preparation for expiation and redemption (Karen Hamaker-Zondag). The septile aspect has a karmic quality: it works unconsciously from hidden motivations or invisible forces that push to act or react (Gail Fairfield).

The number eight indicates the commercial exchange (Edgar Cayce). The semisquare aspect in astrology in related with stress and alert states just before an action begins, like when the runners are at the start line, waiting to hear the shot. On the other hand, the sesquisquare aspect is also related with stress and alert states, but while an actions is going on, like when a traffic light is about to turn red (Tito Macià).

The number nine is related with the integration of the high and the low. Represents the cycles of fall and the difficult climb that follows. It is connected to a movement that is chased after with great energy in some direction, but without an aim (Karen Hamaker-Zondag). In the number nine there is an integration in the forward movement. There is a situation that does not need much demands to keep in forward movement. Because everything is flexible and in order, there is a flow in a forecast direction (Gail Fairfield). The number nine is making for that termination in the forces in natural order of things that come as a change inminent in the life (Edgar Cayce).


The number ten has a non-linear quality (Edgar Cayce), so that apparently insignificant events acquire a decisive influence, while others apparently of great magnitude pass entirely unnoticed (butterfly effect). All depends on whether its quality matches the nature of the bifurcation point (Gail Fairfield).

The quality of number eleven (!) is related with organization of elements to establish an order of priorities (Gail Fairfield). It indicates that a certain area of life is experienced in a unidirectional way, proceeding with intensity and concentration, according to the previously established plan (Gail Fairfield).

The quality of the number twelve is related with maturity, sophistication and internal complexity that allows you to react to the environment with greater awareness, sensitivity, adaptation and self-control (Gail Fairfield; Edgar Cayce; Bruno and Louise Huber).

Tuesday, 20 July 1999

Aspects of the 5th harmonic (quintile and biquintile), creativity and cultural innovation

Aspects of the 5th harmonic represent creativity and cultural innovation. Like the semisextile and the quincunx, aspects of the 5th harmonic are also green aspects, so that --without directly being noticed-- the cultural internalization occurs in a self-organized way, in which motivation, attention and consciousness takes an important role, so that the internal flexibility becomes gradually increased over a very long period (months or years), until a culminant point is reached, in which a great, very fast (hours or a few days) and obvious self-organization of the internalized elements takes place through flow experiences of great emotional intensity, in which specific aspects of very diferent cultural fields are interconnected, as for example psychology and astrology, economics and mathematics, computer science and art, etc...

The cultural talent of aspects of the 5th harmonic is lower than that of the golden aspects. In exchange, the aspects of the 5th harmonic have greater flexibility and can easily take out of context cultural elements and operate with them in an abstract mode, and then put them back in an integrated manner. In addition, they include a greater dynamism turn into curiosity and cultural interest.

"The Lost World (Jurassic Park 2)" (1997)

From the 5th harmonic arise two astrological aspects: the quintile@72º, related with the integration of different cultural fields; and the (bi)quintile@144°, related with the division of a cultural field in two distinct areas.

From the 10th harmonic (5x2) arise two astrological aspects: the decile@36º and the (tri)decile@108°, related with the creation of new cultural fields, derived from the existing, after a bifurcation point.
And from the 20th harmonic (5x4) arise three astrological aspects: the vigintile@18º, the (tri)vigintile@54º, (hepta)vigintile@126º and (nona)vigintile@162°, related with the minor network connections that act as a bridge between different areas of a cultural field, from which a new concept can be supported in that field.

Shiva, Hindu deity of the cosmic dance

Astrologers began to understand the aspects of the 5th harmonic at the end of the 70s, at the same time that in the natural sciences began to study fractal structures and develop the chaos theory (despite that conceptually had already begun to be formulated in mathematical terms at the end of the nineteenth century and during the first quarter of the twentieth century).

Robert Hand,
in his book "Horoscope Symbols" (1981), confirmed the point of view of John Adey (1975), in which aspects of the 5th harmonic were related with intellectual function and the specifically human aspects, and associated aspects of the 5th harmonic to the transformation and cultural evolution through history of mankind. In addition, he highlighted its emotional quality.

The distinction between the lower psychological processes (common to animals and human beings) and higher (specific to human beings) has a long tradition in psychology. During the first quarter of the twentieth century, Vigotsky explained the development of the higher psychological processes as a result of the social interaction and the interiorization and decontextualization of physical and psychological tools (which were developed through collective interaction throughout history). For example, initially the language is a tool that lets you communicate with others, but subsequently it is internalized and facilitates the processes of thought. At the end of the 70s, the work of Vigotsky was translated from Russian into English, reaching great dissemination.

"
In youth, Elisabeth Noelle-Neumann, dean of the public opinion research in Europe, made up imaginary populations: 'My favorite toy when I was a child were not dolls, but pieces of wood to build a town: trees, houses, fences, animals, and quite different houses, for example, a town hall. And I spent two or three days each time, with ten-twelve years old, imagining stories about the lives of the people of the town'”. (Csikszentmihalyi, 1996)

Mihalyi Csikszentmihalyi,
in his book "Creativity: The Psychology of Discovery and Invention" (1996), summed up the conclusions reached after interviewing a wide sample of people who were culturally creative.

Tuesday, 22 September 1998

Golden aspects, talent acquired through observation and interiorization of culture

The golden aspects represent talents acquired through observation and cultural assimilation, as learning math, computer programming, Tai-Chi , athletics, read a score and play a musical instrument ...

Like the trine and sextile aspects, the golden aspects are also blue aspects, so that they improve progressively with practice and are extremely resistant to modification out of the cultural model from which has been internalized. In addition, the attainment of perfection requires many years of dedication.

Theodor Landcheid discovered the golden aspects in the year 1991, when he reanalized
the peaks and valleys of the statistical results of the investigation that the psychologist Michel Gauquelin carried out in 1955, in which there was found a correlation between the positions of the planets in the House Horoscope and certain professional groups such as scientists, military, athletes, artists or politicians.

The peaks of the distribution were in golden aspect with the cusp of the 10th house and in lesser proportion also with the cusp of the 4th house, merely because the criterion that was used to select the sample was 'cultural talent' (typified from biographical encyclopedias), a criterion based on the quality of the aspect 'conjunction' (for example, enterprising) would have generated peaks exactly in the cusps of the 10th and 4th houses.

The main group of golden aspects is based on the 'minor division' of the golden section of the red aspects (conjunction, opposition and square), they represent the cultural quality that results from the combination of the two planets in aspect, for example Mars and the cusp of the 10th house in the case of athletes; while the secondary group is based in the 'major division', they represents the cultural quality that results from the mutual cancellation of the two planets in aspect, for example Saturn and the cusp of the 10th house in the case of abstract type artists.


Golden aspects (minor division):


  • Minor division of 360º = 137º30'
  • Minor division of 180º = 68º45'
  • Minor division of 90º = 34º23'


Golden aspects (major division):

  • Major division of 360 = 42º30'
  • Major division of 180º = 111º15'
  • Major division of 90º = 55º37'

Friday, 5 December 1997

Centaurs in Greek mythology: self-control, self-regulation and physical intelligence

A centaur represents the perfect integration between the animal side and the human side. In a centaur both poles are strongly stressed.

"The symbology of horses is rich, suggesting raw vitality and instinctual energy, a wild but potentially tameable libido. Their plunging unbridled movement suggests free and ecstatic sexual expression, but also the dangers of frenzy and madness; bridled, they represent cultivated instincts, power channelled by discipline and consciousness, and harmony between man and his animal self." (Melanie Reinhart, 1989; "Chiron and the Healing Journey")


Greek mythology

The Centaurs were beings with human form in its upper half and horse form in its lower half. The mere smell of wine drive them with total abandon and desinibicion. On the other hand, some centaurs had the ability to listen to divinities from the dead.


In centaurs the speed and strength of a horse is combined with the emotional and mental intelligence of an human being. Their capabilities border on geniality.



Self-control, self-regulation and physical intelligence

Physical intelligence is highly developed, which is based in perceptual and sensory acuity, great skill in the execution of motor tasks coordination and physiological strength. Physical activity is directed and controlled by mental will. The main feature of a centaurs it is its capability for self-control and self-regulation:

  • Self-control is based in the capability to activate or inhibit emotional and physiological functions by will. This is a specifically human capability, since animals are extremely dependent on environmental stimulation.
  • Self-regulation is based in the capability to set aims in the short, medium and long term, from which all activity is regulated.


For example, the characters from "Dragon Ball Z" (1991) are able to increase or decrease their level of vital energy according to the situation request. They fight for a cause that they feel as correct, and they continue to do so, even when they are on the verge of collapsing by exhaust, drawing energy from the force that supreme ideal provides them.

The integration of the physical, emotional and mental levels, gives access to the next level in the hierarchy: the causal level, which is manifested through intuition and spiritual awareness.

Michael Jordan